I was born in August 1982 between  mountains of the Aosta Valley .
My  curiosity  it has always pushed me to walk unconventional paths in life.
I have always been fascinated by the arts, I have always drawn and painted, and encouraged and supported by my family I attended the  art school , where I graduated in 2001.

My story takes me in the high school years to have a violent impact with the world of  music , which overwhelms me for years, changing me forever. It has allowed me to have incredible experiences, to visit all of Italy, an enchanting country that is the custodian of most of the world's artistic heritage, to get to know people and acquire a new awareness of myself.

In 2012 I resume drawing and painting, especially ad  acrylic . I start to hold  drawing and painting courses  in my region and I discover that I like teaching and that I am successful.
I go back to painting  murals, like in high school, where I learned the techniques. The commissions of  mural workshops  with municipalities, schools, prisons and various institutions.

In 2014 I founded a cultural association  to condense the  artistic and cultural initiatives  within and beyond my region.

In 2016 I know the technique of painting a  pastel  and I feel a thrill. I am overwhelmed again, I get passionate and I begin to study this technique deeply, with the desire to specialize. My  artistic courses  between word of mouth and unexpected results for the participants continue to grow. Thus I cross the borders of my region, carrying around my teaching method presided over by my motto  " talent is learned ".

Today I hold drawing and painting courses, as well as in Valle d'Aosta, also in  Ivrea, Genoa, Naples, Belluno ,  with new goals always on the horizon.

They helped influence me there  Flemish painting, la  Renaissance painting  is that  baroque , one name above all  The Caravaggio .

I am interested in the  light , and perhaps even more to darkness , an eternal dualism, or perhaps a mysterious battle that has raged in the cosmos forever.
I really love to hide subjects and objects in darkness,  bringing out only slight details, a 'I see I don't see', a dim light, an uncertainty, the stimulus for the viewer to imagine what is not seen, for the mind to reconstruct, for the spirit to reach out to know.
The light ... I would like it to be vibrant and to tear the blinds apart, or to touch them gently sometimes, but with an almost sacred intensity . I care that i  contrasts  in my paintings are always  powerful, I want  shake the viewer, pull him into my paintings and more, I would like them  tell stories of sadness and joys, of responsibility, of humility, of guilt, of love, of conflicts .. with others, with themselves, vanquished, lost, ongoing, eternal.

I study the composition of the paintings to strengthen the atmosphere, the communication, the visual impact. THE  pastels  they are great, and  colors  they have an intensity that I have never seen before.

I love to paint.

They helped influence me there  Flemish painting, la  Renaissance painting  is that  baroque , one name above all  The Caravaggio .

I am interested in the  light , and perhaps even more to darkness , an eternal dualism, or perhaps a mysterious battle that has raged in the cosmos forever.
I really love to hide subjects and objects in darkness,  bringing out only slight details, a 'I see I don't see', a dim light, an uncertainty, the stimulus for the viewer to imagine what is not seen, for the mind to reconstruct, for the spirit to reach out to know.
The light ... I would like it to be vibrant and to tear the blinds apart, or to touch them gently sometimes, but with an almost sacred intensity . I care that i  contrasts  in my paintings are always  powerful, I want  shake the viewer, pull him into my paintings and more, I would like them  tell stories of sadness and joys, of responsibility, of humility, of guilt, of love, of conflicts .. with others, with themselves, vanquished, lost, ongoing, eternal.

I study the composition of the paintings to strengthen the atmosphere, the communication, the visual impact. THE  pastels  they are great, and  colors  they have an intensity that I have never seen before.

I love to paint.

They helped influence me there  Flemish painting, la  Renaissance painting  is that  baroque , one name above all  The Caravaggio .

I am interested in the  light , and perhaps even more to darkness , an eternal dualism, or perhaps a mysterious battle that has raged in the cosmos forever.
I really love to hide subjects and objects in darkness,  bringing out only slight details, a 'I see I don't see', a dim light, an uncertainty, the stimulus for the viewer to imagine what is not seen, for the mind to reconstruct, for the spirit to reach out to know.
The light ... I would like it to be vibrant and to tear the blinds apart, or to touch them gently sometimes, but with an almost sacred intensity . I care that i  contrasts  in my paintings are always  powerful, I want  shake the viewer, pull him into my paintings and more, I would like them  tell stories of sadness and joys, of responsibility, of humility, of guilt, of love, of conflicts .. with others, with themselves, vanquished, lost, ongoing, eternal.

I study the composition of the paintings to strengthen the atmosphere, the communication, the visual impact. THE  pastels  they are great, and  colors  they have an intensity that I have never seen before.

I love to paint.